Gods of egypt deutsch
Entdecke die Filmstarts Kritik zu "Gods Of Egypt" von Alex Proyas mit Nikolaj Coster-Waldau, Gerard Butler, Brenton Thwaites, Geoffrey Rush. Gods Of Egypt ein Film von Alex Proyas mit Nikolaj Coster-Waldau, Gerard Butler . Inhaltsangabe: Nachdem sich Set (Gerard Butler), der Gott der Dunkelheit. Produzenten, Basil Iwanyk, Alex Proyas. Untertitel, Deutsch, Deutsch [UT] Details . Sprachen, Deutsch, English. Rechte nach dem Kauf, Sofort streamen Details.
of deutsch gods egypt -Möglicherweise unterliegen die Inhalte jeweils zusätzlichen Bedingungen. Ra umkreist auf seinem Sonnenschiff die Welt, schleppt die Sonne tagsüber über den Himmelsbogen, bekämpft nachts die Schlangengottheit Apophis und sorgt somit für den Tag-Nacht-Zyklus. Melde dich an, um einen Kommentar zu schreiben. Der Kampf zwischen Göttern. Im Grabmal des Osiris findet Bek den völlig desillusionierten blinden Horus. Mithilfe des Wassers des Lebens wollen sie Sets Wüstenfeuer löschen, um diesen zu schwächen. Durch die Nutzung dieser Website erklären Sie sich mit den Nutzungsbedingungen und der Datenschutzrichtlinie einverstanden. Das sorgte für jede Menge Empörung, im Zuge dessen sich die Macher offiziell dafür entschuldigt haben. Wer enttäuschte, obwohl der Film in vielen Kinos Juni nur etwa ,7 Millionen US-Dollar einspielen. Verleiher Concorde Filmverleih GmbH. Set lässt Apophis auf die Erde los. Dann lieber nen guten alten Harryhausen-Film. Set lässt Apophis auf die Erde los. Diese ermöglichen eine bessere Dienstbarkeit unserer Website. Ra umkreist auf seinem Sonnenschiff die Welt, schleppt die Sonne tagsüber über den Himmelsbogen, bekämpft nachts die Schlangengottheit Apophis und sorgt somit für den Tag-Nacht-Zyklus. Also bei aller Liebe Basil Iwanyk , Alex Proyas. Durch die Nutzung dieser Website erklären Sie sich mit den Nutzungsbedingungen und der Datenschutzrichtlinie einverstanden. Also bei aller Liebe Diese ermöglichen eine bessere Dienstbarkeit unserer Website. In dem Mythologie-Historien-Mischmasch finden sich alle Zutaten zu einem augenzwinkernden 3D-Spektakel mit B-Movie-Charme vereint, doch der kommt hier trotzdem nur bedingt zur Entfaltung. Melde dich an, um einen Kommentar zu schreiben. He cited "creative license and artistic freedom of expression" to cast the actors he found to fit the roles. Then the god transforms into their true form. Retrieved January 10, He stabs Ra, takes his spear, and casts him off the boat freeing Apophis to consume both the mortal Beste Spielothek in Albersloh finden underworld realms. This article's plot summary may be too long or excessively detailed. He concluded, "I attempted to show racial diversity, black, white, Asian, as far as I was allowed, as far as I could, given the limitations I was given. Retrieved December 15, Beste Spielothek in Langleiten finden November 13, Archived from the original on December 15, Retrieved February 18, It is about as reality-based as Star Wars — which is not real at all Jordan Hoffman of The Guardian said, "This is ridiculous.
Horus agrees to bring Zaya back from the dead for his eye and Bek's knowledge about Set's pyramid. The two fly to the divine vessel of Horus' grandfather Ra.
Horus is unable to convince Ra to regrant him his power so he can defeat Set himself, as Ra is both neutral about their conflict and daily at war with the enormous shadow beast Apophis that threatens to devour the world.
He does however allow Horus to obtain a vial of the divine waters that surround his vessel, which can extinguish the desert thirst and weaken Set gravely.
Ra tells Horus that his weakness is the result of him not fulfilling his destiny, which Horus believes means avenging his parents' deaths.
Set asks Hathor to take him to the underworld, but she refuses and escapes. After surviving an attack by Set's Egyptian Minotaurs led by Mnevis and an attack by some of Set's minions and their giant cobras, Hathor finds and saves Bek and Horus.
Horus at first doesn't trust her as she is a mistress of Set, while she tries to convince him that Set is her enemy as well.
When they tell her of their plan regarding Set's pyramid, she warns them of a guardian sphinx who will kill anyone not wise enough to solve a riddle.
The group then heads to the library of Thoth , so they can recruit him to solve the riddle. Arriving at Set's pyramid, they overcome its traps including the sphinx, to reach the source of Set's power.
But before they can pour the divine water, Set traps them and reveals to Bek that Horus cannot bring Zaya back from the dead.
Set destroys their flask and takes Thoth's brain. Horus is able to save Hathor and Bek. Horus admits to caring more about his revenge than the mortals.
Hathor sacrifices her own safety for Zaya's payment into the afterlife by giving Bek her bracelet and calls Anubis to take him to Zaya, letting herself be dragged to the underworld.
Having combined Thoth's brain, Osiris's heart, Horus's eye, and wings from Nephthys with himself, Set travels to Ra, questioning his favoritism for Osiris and denying him the throne and children.
Ra claims that all of Set's prior mistreatments were tests preparing Set for his true role: Set is dismayed and wants to destroy the afterlife so that he can be immortal.
Ra tries to fight Set by blasting him with his spear, though Set survives with his combined power. He stabs Ra, takes his spear, and casts him off the boat freeing Apophis to consume both the mortal and underworld realms.
Bek finds Zaya, who refuses Hathor's gift as she doesn't want an afterlife without Bek, but then Apophis attacks and the gate to the afterlife is closed.
Bek returns to the mortal world, where Horus is amazed that Bek still wants to help take down Set. Bek tells him it was Zaya who told him to, as she still has faith in Horus.
Horus climbs up the outer wall of an obelisk Set is standing on and attempts to battle him, but is heavily outmatched.
Whilst Bek fights Urshu who is thrown off to his death, Bek ascends on the inside and joins the battle, removing Horus's stolen eye from Set's armor, being wounded in the process.
As Bek slides toward the edge of the obelisk, he throws the eye toward Horus, who must choose to catch it or save Bek instead. Horus reaches for Bek and apologizes for all he has put him through.
As they plummet toward the ground, Horus regains the power to transform and he catches Bek and flies him to safety. Horus realizes that it wasn't the recovery of his eye nor revenge that was his destiny, it was the protection of his people for which he needed to fight.
Now, Horus has the strength for battling Set, and he out maneuvers and kills him. He then finds Ra wounded and floating in space, and returns his spear to him, allowing Ra to once again repel Apophis and for Anubis to reopen the gates.
As Horus returns to Bek, a child holds out his other eye, while people cheer him. Horus finds Bek dying from the wounds he sustained whilst fighting Set, carries him to Osiris's tomb and lays him beside Zaya.
Ra arrives and offers to bestow any power on him to repay Horus for his life and Egypt's survival. All Horus wants is bringing Bek and Zaya back to life.
The other gods, who had not passed into the afterlife, are also revived leaving Horus's parents who had already passed into the afterlife.
Horus is crowned king by Thoth and declares access to the afterlife will be paid with good deeds. Bek is made chief advisor , and he gives Horus back Hathor's bracelet letting him leave to rescue her from the underworld.
The film was produced under Summit Entertainment. Proyas was contracted by Summit in May , to write the screenplay with Sazama and Sharpless, and to direct the film.
The director cited the following films as influences on Gods of Egypt: Actor Nikolaj Coster-Waldau was cast in June The film was shot in Australia.
A crew of began pre-production in Sydney in New South Wales , and producers considered filming in Melbourne in Victoria , to take advantage of the state's tax incentive.
Docklands Studios Melbourne was too booked to accommodate Gods of Egypt , and producers were instead offered an airport facility for production.
In the film, the gods in humanoid form are 9 feet 2. Proyas used forced perspective and motion control photography to portray the difference in height between the actors portraying the gods and the humans.
Proyas called the logistical challenge a "reverse Hobbit", referring to The Lord of the Rings films, in which Hobbits are depicted as shorter than humans.
For the god Thoth, who can appear as many copies, actor Chadwick Boseman was filmed hundreds of times from different angles. For a scene with many copies of Thoth, other actors took a day to film the scene, where Boseman filmed the scene for three days.
White actors make up most of the principal cast of Gods of Egypt. When Lionsgate began marketing the film, the Associated Press said the distributor received backlash for ethnically inaccurate casting.
Lionsgate and director Alex Proyas both issued apologies. The AP said, "While some praised the preemptive mea culpa The casting practice of white actors as Egyptian characters was first reported after filming started in March , when Daily Life ' s Ruby Hamad highlighted the practice as "Hollywood whitewashing".
Some suggested that the casting of black actor Chadwick Boseman , who plays the god Thoth , played into the Magical Negro stereotype.
The previous year, the biblical epic Exodus: Gods and Kings by director Ridley Scott received similar backlash for having a white cast.
She said with the release of Aziz Ansari 's TV series Master of None in the previous week, "Whitewashed casting and the offensiveness of brownface has pretty much dominated the pop culture conversation this week.
Promotion for the movie is beginning just as we're wrapping a banner year for discussions of diversity and gender pay equity in the film industry.
When Lionsgate followed its release of posters with a release of a theatrical trailer, Scott Mendelson at Forbes said, "The implication remains that white actors, even generic white actors with zero box office draw, are preferable in terms of domestic and overseas box office than culturally-specific minority actors who actually look like the people they are supposed to be playing.
Lincoln said of the released trailer, "Casting here stands out like a sore thumb leftover from s Hollywood. I suspect this film generates a lot of conversation before it hits theaters February 26, In response to criticisms of its casting practice, director Alex Proyas and Lionsgate issued apologies in late November for not considering diversity; Lionsgate said it would strive to do better.
Mendelson of Forbes said the apologies were "a somewhat different response" than defenses made by Ridley Scott for Exodus and Joe Wright for Pan An unusual occurrence worth noting.
They want the cast that they selected and they don't want people to hold it against them that it's a white cast.
Boseman, who plays the god Thoth, commenting on the whitewashing, said he expected the backlash to happen when he saw the script.
He said, "I'm thankful that it did, because actually, I agree with it. That's why I wanted to do it, so you would see someone of African descent playing Thoth, the father of mathematics, astronomy, the god of wisdom.
I'm not even playing an Egyptian; I'm an 8-foot-tall god who turns into a falcon. A part of me just wants to freak out, but then I think, 'There's nothing you can do about it.
In the month leading up to release, director Proyas said his film was fantasy and not intended to be history. He cited "creative license and artistic freedom of expression" to cast the actors he found to fit the roles.
He said "white-washing" was a justified concern but for his fantasy film, "To exclude any one race in service of a hypothetical theory of historical accuracy He argued that the lack of English-speaking Egyptian actors, production practicalities, the studio's requirement for box office draws, and Australia having guidelines limiting "imported" actors were all factors in casting for the film.
He concluded, "I attempted to show racial diversity, black, white, Asian, as far as I was allowed, as far as I could, given the limitations I was given.
It is obviously clear that for things to change, for casting in movies to become more diverse many forces must align. Not just the creative.
To those who are offended by the decisions which were made I have already apologised. I respect their opinion, but I hope the context of the decisions is a little clearer based on my statements here.
This time of course they have bigger axes to grind — they can rip into my movie while trying to make their mainly pale asses look so politically correct by screaming 'white-wash!!!
In the week before the film's release, Lions released the tie-in mobile game Gods of Egypt: The magazine said the film had "a strong ensemble cast" and that its director has "had a noteworthy following".
BoxOffice also said the premise could attract movie-goers who saw Clash of the Titans , Wrath of the Titans , and the Percy Jackson films.
Admissions to 3D screenings would help boost Gods of Egypt ' s gross. The magazine said factors negatively affecting the film's gross were a "lackluster reaction" to its marketing and the backlash to its predominantly white cast causing negative buzz.
It anticipated that the film's release would be front-loaded focused on profiting mainly from opening weekend due to the poor buzz, its categorization as a fantasy film, and with London Has Fallen opening the following weekend.
He said the film could attract Alex Proyas's fan base but that it had suffered "some negativity out there" due to the predominantly white casting as well as the film being perceived to have an "old-fashioned" feel.
Exhibitor Relations senior media analyst Jeff Bock said the film "feels late" years after the release of and Immortals , and an earlier production and release would have been more advantageous.
Ryan Faughnder of Los Angeles Times said in the week before the film's release that the expected opening weekend gross meant that Lionsgate's plans to make Gods of Egypt the first film in a new franchise were unlikely.
Faughnder said the film would need to perform strongly in territories outside the United States and Canada for a sequel to be developed.
Lionsgate released Gods of Egypt in theaters globally starting on February 25 , English, Hindi , Tamil , and Telugu. In the United States and Canada, the film was released in 3, theaters.
Outside North America, the film got a staggered release. Le Vision Pictures acquired rights from Lionsgate in November to distribute Gods of Egypt in China,  and released the film there on March 11 , Gods of Egypt was panned by critics.
Alonso Duralde of TheWrap wrote, "A mishmash of unconvincing visual effects and clumsy writing—not to mention another depiction of ancient Egypt in which the lead roles are almost all played by white folks— Gods of Egypt might have merited a so-bad-it's-good schadenfreude fanbase had it maintained the unintentional laughs of its first 10 minutes.
Instead, it skids into dullness, thus negating the camp classic that it so often verges on becoming. But this bloated enterprise is so tiresome by the end, it seems more likely headed for a long rest somewhere in the cinematic afterlife.
Club called Gods of Egypt "overlong and very silly," and said: Jordan Hoffman of The Guardian said, "This is ridiculous. This shouldn't be, and I'm not going to say otherwise if you can't bring yourself to buy a ticket for this movie.
Theoretically, Child gods would probably develop their godly powers through age and special training. Gods possibly would have their domain picked based on choice, personality or whatever powers they would have.
A gods' true form appears as a metallic and humanoid animal-like being. Their powers increase tenfold while the god is in their true form.
The gods can shift back and forth between their human disguise and their true form at will. When gods shift into their true form they start glowing in a bright red light, then the energy from the surrounding area is absorbed by that god.
Then the god transforms into their true form. Gods can also shift part of their bodies between their true form and their human disguise.
Gods when in their True Form are taller than in their human disguise. Each god has a source of power, such as Set having the pit to the center of the world.
This source of power augments a god's power exponentially, making them stronger, faster, more agile, etc when the source of power is finished with being created.
If this power source is removed for whatever reason the god will be powerless such as not being able to transform into their true form. When reunited with the gods' power source the god regains their powers.
Gods can also strengthen their power source, possibly through special training or sheer willpower. The appearance of a gods power source varies between gods.
Gods could possibly choose their power source. Some can be places, body parts, or weapons etc. Here is the list of known gods with power sources.
Gods have the need to live amongst mortals to rule them as pharaohs. Once a god is crowned pharaoh, they can choose what happens to individuals after they die, such as when Horus made the rule that only people who did good deeds, were passionate, had generosity, etc.